Metagraphs: Augmented Reality Art at the Cape Cod Museum of Art, 2027

October 8, 2026

I will present Metagraphs: Augmented Reality Art, a solo exhibition of augmented reality works at the Cape Cod Museum of Art in Dennis, Massachusetts, June 4 – August 22, 2027.

A new studio at Sage Street Mill

October 15, 2026

In July 2026, I moved into Sage Street Mill in North Bennington. The first paintings made there mark a new direction, combining painted marks, printed lines and experiments with spray enamel.

Helmholz Fine Art: Live in Person

October 8, 2026

I showed new paintings in Live in Person at Helmholz Fine Art in Manchester, Vermont. The gallery’s October 3, 2026 opening included Ebisu and other recent paintings on linen.

Honorary Doctor of Fine Arts from Five Towns College

October 8, 2026

I received an honorary Doctor of Fine Arts from Five Towns College on May 8, 2025. I spoke to the graduating class about my career and the origins of Techspressionism; the recording begins at 41:29.

Chicago Installation – Four Techspressionist Artists at 150 Media Stream

February 4, 2025

I joined Renata Janiszewska, Karen LaFleur and Jan Swinburne in Four Techspressionist Artists at Chicago’s 150 Media Stream in 2025. My contribution was Interior Landscape, with a score by Paul D. Miller, also known as DJ Spooky.

Art on Internet Foundation

May 30, 2023

Three of my audiovisual works were acquired by Art on Internet Foundation. Among them was Mesmertron, the first work of mine to sell on the secondary market.

Permanent Collection: Verostko Center For The Arts

January 24, 2023

My 2013 work on paper New Plastic Shodo #5 entered the permanent collection of the Verostko Center for the Arts in Latrobe, Pennsylvania. I also reflect on my correspondence with Roman Verostko.

Kneeling Icon Joins the Hearst Collection

January 2023

Hearst has acquired Kneeling Icon, my first augmented reality artwork, following its inclusion in Art Now at Hearst Tower.

SIGGRAPH SPARKS – Within the Frame: Continuum of the Still Image

December 3, 2021

I took part in ACM SIGGRAPH’s SPARKS program, Within the Frame: Continuum of the Still Image, on December 3, 2021. We discussed how digital tools extend the practice of making images.

University of Wyoming: Visiting Artist Series

October 29, 2021

I joined the University of Wyoming’s Visiting Artist Series for an online presentation on March 25, 2021. Professor Brandon Gellis hosted the event, and the recording is available here.

Recent Acquisition: The Anne and Michael Spalter Digital Art Collection

January 31, 2021

My 2017 work on paper Kozo entered the Anne and Michael Spalter Digital Art Collection. The work combines India ink and ink on Rives BFK paper.

(Re)Introducing Techspressionism

January 20, 2021

I first used Techspressionism as an exhibition title in 2011. In this update, I describe how the idea grew into an online community of artists and a series of shared conversations.

COVID PAINTINGS

May 27, 2020

I based the COVID TEST series on photographs from my family’s drive-through COVID-19 testing experience in March 2020. Making these paintings became a way to address the pandemic in the studio.

Permanent Collection: Stony Brook University Hospital

December 14, 2018

Stony Brook University Hospital acquired four works on paper from my Wireframe series and the painting Dynamic Dispatch in 2018. The works were selected for its permanent public collection.

Giant Earth Projections

December 3, 2018

I revisited digital photomontages I made for the 25th anniversary of Earth Day in 1995. Archival video shows one of those works projected onto a building at Columbus Circle in New York.

Joseph Nechvatal Interview, 2000

December 2, 2018

I rediscovered a video interview I conducted with Joseph Nechvatal in Manhattan in 2000. We discussed Viractualism while walking between our studios in the East Village and Lower East Side.

Photoconstruct Series

October 11, 2017

I contributed paintings from the Photoconstruct series to Hybrid at Alex Ferrone Gallery. Here I describe how I combine my own photographs with painting and digital printing.

Museum Collection: Islip Art Museum

December 8, 2016

My mixed-media work Shima, from the Biomorphic series, entered the Islip Art Museum’s permanent public collection in December 2016.

Alternative Spaces

July 9, 2016

I showed work at three Long Island venues in summer 2016: Toast Coffeehouse in Patchogue, Southampton Town Recreation Center and The Village Gourmet Cheese Shoppe in Southampton.

67th Annual East Hampton Artists vs Writers Charity Softball Game

August 15, 2015

I contributed Pinstripes, a 2015 acrylic and pigment work on birch panel, to the charity auction associated with the 67th Annual East Hampton Artists vs Writers Softball Game.

Key West Residency Update

May 28, 2015

During my 2015 residency at The Studios of Key West, I exhibited works on paper, worked with pen, ink and gouache, and spoke with PBS’s Art Loft about my practice.

Artist Residency and Solo Show at The Studios of Key West

April 30, 2015

I prepared for a month-long residency and a solo exhibition at The Studios of Key West in 2015. Away from my large-format printer, I planned to develop new works on paper by hand.

66th Annual Artists & Writers Softball Game – East Hampton

August 14, 2014

I was invited to take part in the 66th Annual Artists & Writers Softball Game in East Hampton. My painting Peconic Bay with Wireframe was sold at the event’s charity auction.

Remote Portraiture Project

June 9, 2014

I developed the Remote Portraiture Project to make portraits through conversations over video calls. The project grew from digital portraits I began making with fellow videoconferencing users in 1998.

Video : Greenport Studio Visit

February 3, 2014

Amy Worth of The South Street Gallery filmed this visit to my Greenport studio. I handled the postproduction.

Hamptons Dance Authority, Southampton NY

January 31, 2014

I shared this announcement for my exhibition at Hamptons Dance Authority in Southampton, New York. The event was open to the public.

BrooklynWorks 159, Brooklyn NY

December 6, 2013

I showed work at BrooklynWorks 159 in Brooklyn, with a reception on January 18, 2014. This entry includes Cipher, a 2013 oil and ink painting on canvas.

Southampton Center, Southampton NY

November 4, 2013

I exhibited four new works on linen at Southampton Center in December 2013. The presentation brought my Photoconstruct paintings together with work by Southampton Artists Association members.

Pollock-Krasner Grant 2013

July 31, 2013

I received a call from Charles C. Bergman telling me that the Pollock-Krasner Foundation had approved my grant proposal. Here I describe what that support meant for my studio practice.

Metagraphs: Digital Drawings

April 12, 2013

I began the Metagraph series in 1999 while living in New York’s East Village. These digital drawings use vector-based software, allowing the lines and forms to be printed at different scales.

Long Island Creative Individuals Grant

February 14, 2013

I received a 2013 Long Island Creative Individuals Grant, administered by the Huntington Arts Council through NYSCA. The grant supported Improbable Forms, a body of digitally composed work on birch panels.

Shodo: Sumi and Inkjet Works on Paper

February 10, 2013

I began working with sumi ink in 2005 during my MFA studies. Here I describe how Japanese calligraphy, my grandmother’s practice and digital drawing informed the Shodo series.

Improbable Forms Interview

February 6, 2013

I spoke with artist Ellen Wiener on May 5, 2013 about the works in my Improbable Forms exhibition. Our conversation explores the differences between drawing on a screen and making a physical painting.

The Art Meme

December 19, 2012

I wrote this essay on art and memetics in Andrew Hershberger’s graduate critical theory class at Bowling Green State University in 2005. It considers artworks as objects and as carriers of ideas.

Stanley William Hayter / Atelier 17

November 4, 2011

Helen Harrison suggested I look at Stanley William Hayter’s work. I found connections with my own practice in his printmaking, use of automatism and forms that seem both organic and mechanical.

Vieira Da Silva: A Glimpse of the Future

August 22, 2011

I first encountered Vieira da Silva’s paintings in a book I found at a yard sale. Their architectural and organic forms prompted me to look further into her work.

Desmond Paul Henry: Digital Art Pioneer

August 22, 2011

I discovered Desmond Paul Henry’s drawing machines while researching early computer art. His use of mechanical analogue computers led me to consider connections between his drawings and my own work.

Prints Join the Pollock-Krasner House Collection

c. 2005

Four of my prints enter the collection of the Pollock-Krasner House and Study Center.