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Colin Goldberg

Taiyo, 2017

Wireframe Paintings

About Wireframe

Begun in 2004, the Wireframe series grew out of Goldberg’s Metagraph series of digital drawings. Gestural lines are rotated in three-dimensional space to create forms that recall architectural and engineering drawings. Printed onto painted surfaces, these structures combine precise line work with the physical qualities of acrylic, oil, ink, canvas, linen and paper. The Wireframe series helped shape the approach Goldberg named Techspressionism in 2011. Selected paintings include a silent animation layer and are presented as Motion Paintings.

Full series page

58 works

2014

623 Variation #1, 2014

Acrylic and archival inkjet on linen48 × 32 in

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623 Variation #2, 2014

Acrylic and archival inkjet on linen48 × 32 in

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623 Variation #3, 2014

Acrylic and archival inkjet on linen48 × 32 in

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Flux, 2014

Acrylic, pigment, and latex glaze on linen20 × 14 in

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2013

Echo Request, 2013

Acrylic and archival inkjet on canvas24 × 36 in

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Threat Vector, 2013

Acrylic and archival inkjet on canvas36 × 24 in

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Zero Day, 2013

Acrylic and archival inkjet on canvas36 × 24 in

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2012

Chronos, 2012

Acrylic and archival inkjet on canvas17 × 11 in

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Protospace, 2012

Oil and archival inkjet on canvas17 × 11 in

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2011

Absolute Magnitude, 2011

Acrylic and archival inkjet on canvas32 × 20 in

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Distressor, 2011

Acrylic and archival inkjet on canvas20 × 32 in

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Access Control, 2011

Acrylic and archival inkjet on canvas32 × 20 in

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Doppler Effect, 2011

Acrylic and archival inkjet on canvas20 × 32 in

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Antipodal, 2011

Acrylic and archival inkjet on canvas32 × 20 in

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Dynamic Dispatch, 2011

Acrylic and archival inkjet on canvas32 × 20 in

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Attack Formation, 2011

Acrylic and archival inkjet on canvas40 × 60 in

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Magnetic Resonance, 2011

Acrylic and archival inkjet on canvas20 × 32 in

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Destructor, 2011

Acrylic and archival inkjet on canvas20 × 32 in

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Multitier Architecture, 2011

Acrylic and archival inkjet on canvas20 × 32 in

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