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Colin Goldberg

Biomorphic Works on Paper

About Biomorphic

Begun in 2012, the Biomorphic series develops the digital drawing techniques of the Wireframe series into organic forms. Gestural lines become solid shapes, then contours, through a combination of manual and mathematical processes. These forms suggest plants, animals and imagined structures without depicting a single subject. Line work informed by Japanese woodcuts meets painted and printed surfaces. The Biomorphic series includes oil paintings, mixed-media panels and works on paper, as well as hand-drawn works made during Goldberg’s 2015 residency at The Studios of Key West.

Full series page

37 works

2007

Mutation#4, 2007

Enamel-based silkscreen, acrylic, and archival inkjet on paper18 × 12 in

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Mutation#6, 2007

Enamel-based silkscreen, acrylic, and archival inkjet on paper18 × 12 in

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Pedestal#1, 2007

Enamel-based silkscreen, acrylic, and archival inkjet on paper18 × 12 in

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Pedestal#2, 2007

Enamel-based silkscreen, acrylic, and archival inkjet on paper18 × 12 in

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Pedestal#3, 2007

Enamel-based silkscreen, acrylic, and archival inkjet on paper18 × 12 in

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2005

Post-semiotic Craft, 2005

Acrylic and archival inkjet on paper11 × 14 in

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Antiquated, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Bishop, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Blue Gyre, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Caveman Boogie, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Cortex, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Lotus, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Macula Et Metallum, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Metallic Icon No 2, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Morganic, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Neuron Field, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Retro-metro, 2005

Acrylic and archival inkjet on paper18 × 12 in

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Tango, 2005

Acrylic and archival inkjet on paper18 × 12 in

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